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Industrial artwork: The photographs of Bernd and Hilla Becher

A water tower. A grain elevator. A fuel tank. Unremarkable buildings to some, however to photographers Bernd and Hilla Becher, they had been works of artwork.

A German couple working within the second half of the twentieth century, the Bechers educated their sights on an unlikely topic: the quickly vanishing industrial structure of Western Europe and North America. Through their lens, the extraordinary grew to become extraordinary.

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Industrial buildings photographed by Bernd and Hilla Becher.

© Estate Bernd & Hilla Becher, represented by Max Becher; courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd and Hilla Becher Archive, Cologne.


“They noticed their work as a manner of seeing the sculpture within the on a regular basis,” mentioned Jeff Rosenheim, curator of a Becher retrospective, now on display at the San Francisco Museum of Modern Art. “In a sure sense, their breakthrough was realizing that this was a sort of nameless structure that was made by trade to unravel a operate, however had this sort of pure, rigorous magnificence.”

Take these transmission towers, spare as Shaker chairs;

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Transmission towers.

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Or these spindly water towers – no two tanks alike;

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Water towers.

© Estate Bernd & Hilla Becher, represented by Max Becher; courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd and Hilla Becher Archive, Cologne.


Or these German fuel tanks, every orb as distinctive as a thumbprint.

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Gas tanks.

© Estate Bernd & Hilla Becher, represented by Max Becher; courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd and Hilla Becher Archive, Cologne.


In these delicate variations – a sloping line, a tapered edge – the Bechers glimpsed complete worlds. Coal bunkers, cooling towers, gravel crops … nothing escaped their gaze.

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Gravel crops.

© Estate Bernd & Hilla Becher, represented by Max Becher; courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd and Hilla Becher Archive, Cologne.


Not even these framework homes in Germany’s Siegen area, easy buildings constructed with out ornamentation however with unmistakable model.

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Miners’ homes within the Siegen area of Germany.

© Estate Bernd & Hilla Becher, represented by Max Becher; courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd and Hilla Becher Archive, Cologne.


Rosenheim mentioned, “They not solely famous the city through which the image was made; they recorded the identify of the present resident and their occupation, and many of these occupations had been of miners. And so, in a sure sense, it is a portrait of the mining group seen metaphorically by means of the home through which they lived.”

Bernd Becher died in 2007; Hilla died in 2015. Together, they left behind an archive of hundreds of photographs that reveal the splendor of the on a regular basis, supplied that we take the time to look.

       
For extra data:

  • Exhibition: Bernd & Hilla Becher, on the San Francisco Museum of Modern Art (by means of April 2)
  • Exhibition Catalogue: Bernd & Hilla Becher (Metropolitan Museum of Art), in Hardcover
  • Artnet: Bernd & Hilla Becher
  • “Water Towers, USA, 1974-1983,” and “Gas Tanks, 1963-1992” © Estate Bernd & Hilla Becher, represented by Max Becher; courtesy Die Photographische Sammlung/SK Stiftung Kultur – Bernd and Hilla Becher Archive, Cologne.

      
Produced by Robert Marston. Editor: Emanuele Secci.

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